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Camille Pissarro
rain Louvre
mk259 1900 Oil on canvas 66.7 x 81.7 cm
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Camille Pissarro
for women Laundry
mk259 1901 Oil on canvas 33 x 40.5 cm
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Camille Pissarro
to collect the hay farmer
mk259 1901 Oil on canvas 51.5 x 65 cm
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Camille Pissarro
Jack Church
mk259 1901 Oil on canvas 54 x 65 cm
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Camille Pissarro
morning market
mk259 1901 Oil on canvas 65 x 81 cm
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Camille Pissarro
early in the Louvre
mk259 1901 Oil on canvas 96.5 x 115.9 cm
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Camille Pissarro
Newbridge afternoon
mk259 1901 Oil on canvas 73 x 92.1 cm
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Camille Pissarro
gardens of the early morning
mk259 1901 Oil on canvas 64.8 x 81.3 cm
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Camille Pissarro
port
mk259 1902 Oil on canvas 60 x 73 cm
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Camille Pissarro
handelstradgard med blommande trad
1877
se
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Camille Pissarro
avenue de l, opera
se
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Camille Pissarro
Selbstportrat
Technique Oil on canvas
Dimensions 41 ?? 33 cm
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Camille Pissarro
Selbstportrat
Technique Oil on canvas
Dimensions 35 x 32 cm
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Camille Pissarro
hoarfrost the old road to ennery
1837
oil on canvas 65x93cm
se
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Camille Pissarro
Near Sydenham Hill
Author Camille Pissarro
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Camille Pissarro
Snowscape with Cows Montfoucault
oil on canvas painting by Camille Pissarro
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Camille Pissarro
The Louvre: Morning
Medium Oil on canvas
Dimensions 29 x 36 1/2 in. (73.7 x 92.7 cm)
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Camille Pissarro
Portrait of Felix Pissarro
Date 1881(1881)
Dimensions 54 x 46 cm (21.26 x 18.11 in)
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Camille Pissarro
Selbstportrat
1898
Oil on canvas
35 X 32 cm (13.78 X 12.6 in)
cjr
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Camille Pissarro
Vue de Saint-Ouen-l'Aumone
"Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn.
cjr
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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